This track is one we have taken many times over the years and it still gives me pleasure.  It leads to a series of old tin mine workings but the variations on which way to actually go are many and we came off the track at this point and headed for higher ground.

The sun was going down (& it still seems too early for that) but there was enough light at the stage to take a picture looking north east more towards the centre of the moors.  There is gorse out at present as well as heather and I’d like to get out to try and catch some shots of the heather before it is over.

I guess there will be less photography from my evening walks now as even in the fairly early evening the light is getting quite poor for photography and maybe not so good for walking either though it usually does not stop us.  However the effects of the last light on the clouds is lovely.

I usually realise that I should have taken a tripod after I needed it and this was no exception.  In the end I am unlikely to roam far on the moors carrying a tripod I think but this wonderful moon deserved a better shot that I was able to get hand held.  That said I think it catches the mood quite nicely.  It was stunning and with us for at least the last third of our walk back to the car.

It has been a few weeks since I’ve been out on the moors in the evening but last night made up for it.  The south western tip of the moors around Shell Top and Penn Beacon is lovely for an evening walk and holds some fond memories for me.  I always set off thinking it is a relatively short walk and always come back remembering that at least half of it is uphill.  Approaching from the east and heading first to Shell Top meant we passed the hut circle above.  The remains are quite clear and the eastern side of the hill has quite a few bronze age remains on it.

Stopping to take a breath a little further up towards Shell Top gave this wonderful view looking east.  This is looking towards the ridge which runs south and ends at Western Beacon.  The combination of the sunlight on the landscape and the very dark clouds did seem quite special – certainly some areas were not enjoying the late sun which we were.

Reaching Shell Top the view all around opened up although Shell Top itself is not that significant a point as can be seen from the above.

However sitting in the evening sunlight having a drink and looking fairly much south gave a great view.  In the foreground (& sadly) is the china clay works.  I realise industry is necessary however what idiots allowed this development right on the very edge of a National Park?  Further off is the city of Plymouth and Plymouth Sound (and the English Channel).

I guess this is my favourite shot of the night.  Taken looking somewhat west from Shell Top it looks down on the Trowelsworthy Tors and across the misty ridges into Cornwall.  The light over a number of ridges really is an effect I love.  I previously blogged the tors here.  Because it is taken looking into the sunlight these shots can be quite difficult but when they work it looks good to me.

Heading off we started to walk down to Penn Beacon which can be seen here at the end of the line on the hillside.  This is an old reave which runs down the hillside towards it.  The china clay works can be seen to the right rather clearly.

Reaching Penn Beacon we looked back up the hill as the last light was going behind a large cloud bank coming in from Cornwall.  The tip of Shell Top can be seen on the upper part of the ridge on the right hand side.  Over the years I’ve seen some great “Last light” scenes on the moors and this was one of them.  A good walk and hopefully we will get out again soon.

Firstly I spent the middle part of the day in Brixham.  The tide was out and there was building work going on around the harbour with scaffold and sheeting covering a building which seemed to intrude on any shot.  However walking the breakwater I liked the feeling of isolation around these fishing rods.  The fisherman was nowhere to be seen which added to the effect.

In the evening I drove up to Dartmoor for a walk.  A little unusually for us we headed into the valley of the West Dart at one stage rather than walking the open moors.  These granite stepping stones across the Dart caught my eye and I took a few shots here.  The water was low so walking across them was very easy but I have seen the river when you cannot see the stones at all.  We stayed there for a drink and watched deer on the edge of the hillside however they were too far away for any meaningful photos .  A green woodpecker flew by but too quickly to get a shot of.

Almost back at the car we passed this gate.  I like the strangeness of a gate with no fence or wall around.  On the far hillside are the lines of old leats as the area has been extensively worked by tin miners in the past.  The late light on the moorland was lovely.

I’ve not been out much with the camera for a while now.  The dry weather I referred to here broke straight after that blog and there has been quite a bit of rain since.  Good for the gardens and farmers but it made for less predictable photography.  However other issues in life have settled a bit too so I wandered out last night as the late sunlight looked good.  I didn’t have time to go far so I headed to one of my more usual spots to see if there was anything interesting to point the camera at.  The advantage with such an approach is that you never quite know what might catch the eye.

From the first image’s colours you might think that the barley was nearly ripe given the yellow colour.  However from the close up you can see that the plants are still fairly green and it is mostly the effect of the sunlight.  I loved the delicacy of the individual plants and the way that they combine to make the overall effect of both golden and moving (there was quite a strong breeze).

Depending on the angle of the shot and the sun, the yellow effect was even more pronounced.  However the green can be clearly seen still.  I guess a trip back in a few weeks time should give much some truly ripe golden shots.

The tranquillity of the farming landscape in this area is lovely and, fortunately for a photographer, there is usually something different to look at throughout the agricultural year.

Some settings seem to “demand” an image of reflections to me.  This one is again on the Dart but above the tidal stretch and in early light.  The winter starkness of the trees and the slightly misty light add to this one.

Others creep up on you rather more subtly.  In this one I realised the reflections were more interesting than the subject maybe.  Equally the colours in the water are brighter than the colours above (untreated too).

I caught this one yesterday.  Reflections around the sea are maybe less usual however the tidal pool here coupled with the sky, clouds and the family (I guess) intent on the activity in the water caught my eye and insisted on me taking the image.